This year, The Lemon Seed Project is opening its doors for two Saturdays to a group of artists whose work spans portraiture, abstraction, photography, collage, sculpture, textiles and illustration as part of Walthamstow Art Trail at Havant House. Some examine identity and heritage. Others explore memory, community, humour, politics or belonging. What connects them is a commitment to storytelling and a distinctive visual language that stays with you long after you've left the

There’s a version of “art investment” that gets talked about in hushed tones at auction houses — Basquiats selling for $110 million, Hockney prints clearing five figures at Christie’s, hedge fund managers hedging with Damien Hirst. And while that world is real, it’s not the only one. Most meaningful art collecting doesn’t start there, and frankly, the most interesting stories rarely do. The question “is this a good investment?” is one we hear a lot and rightfully so. Before y

We’re opening the house for Open House London 2026 and inviting a small number of artists to place one artwork within the space. Artwork by Stephen Anthony David’s and Sculptures by Donald Baugh This is not an exhibition. Your work will be installed inside Havant House a real, lived-in space in Walthamstow, and experienced by members of the public as they move through it. All pieces will be available for sale across both open days. What’s included Your work installed in the h

Artwork by Stephen Anthony Davids at Havant House We’re opening the house for Walthamstow Art Trail 2026 and inviting a small number of black artists to place one artwork within the space. Works will be installed throughout the home and experienced as part of a lived environment. All pieces will be available for sale across the duration of the trail. What’s included Your work installed in the house for the full duration of Walthamstow Art Trail Public access across all open d

It has been just over a week since Art Basel Qatar closed its doors in Doha, and the conversation is still going. Most of it circles the same thing: how different it felt. No first-day sales announcements. No sprawling booth halls to power-walk through. Unlike every other Art Basel edition, Qatar limited galleries to solo presentations in an open-plan design across two venues in Msheireb Downtown Doha. One gallery, one artist. That was the rule. As we heard on the ground, the

“I’m not always making art, but I’m always making something.” For Lauren Little, making is constant. Cut paper collage has been her starting point since university, a medium she returns to because it’s where she first found flow. Over the past seven to eight years, her work has focused on who we were, who we are, and who we’re becoming, exploring those shifting versions of self through layering, repetition, shadow and light. Always Never There by Lauren Little Her latest body